Archives consultées
Art X (LoC)
R & C. Eames (LoC)
G. Nelson (Vitra Museum)
A. Girard (Vitra Museum)
Ken Isaacs (Cranbrook)
Sur Art X
Stanley Abercrombie, George Nelson. The Design of Modern Design, Cambridge, Mass., The MIT Press, 1995,
Ray Kaiser Eames, «The Georgia Experiment» in The Curator Jane Fisk Mitarachi (dir.), Industrial Design n° 5, Octobre 1954
Charles et Ray Eames, George Nelson et Alexander Girard, A Sample Lesson Brochure, Los Angeles, UCLA, Eames Office Archive, 1953.
George Nelson, «Art X. The Georgia Experiment», in Industrial Design , vol. 1, n° 5, octobre 1954, p. 44-51.
George Nelson, «The Georgia Experiment» (1954), fac-similé reproduit in Catherine Ince et Lotte Johnson, The World of Charles and Ray Eames, Londres, Barbican Arts Center, Thames & Hudson, 2015, p. 240 et sq. George Nelson, Problems of Design, (4è ed.), New York, Whitney Library of Design, 1965.
Par les Eames
Ray & Charles Eames, Tapuscrit des conférences Norton. Box 217, dossier 10, Ray & Charles Eames Archives, Manuscrit Division, Library of Congress, Washington.
Ray Eames in Ruth Bowman, « Oral history interview with Ray Eames, 1980 July 28-August 20 », Archives of American Art, Smithsonian Institution, Washington (en ligne: <aaa.si.edu/collections/interviews>) .
Ray & Charles Eames, A Computer Perspective, (Cambridge, Mass. et Londres, Angleterre: Harvard Université Pressa, 1990
Ray & Charles Eames, Connections : The Work of Charles and Ray Eames, Los Angeles, UCLA, 1976 (cat.)
Sur les Eames
Beatriz Colomina, Cernés par les images , Paris, B2, 2013.
Charles Eames, Narration for IBM Brussels Film «The Information Machine» enregistré le 25 Novembre 1957. Reproduit à partir de Motion Picture, Broadcasting, and Recorded Sound Division, Library of Congress.
Charles Eames, Narration for «A Communications Primer» enregistré le 25 Octobre 1953.
Reproduit à partir de Motion Picture, Broadcasting, and Recorded Sound Division, Library of Congress.
Glen Fleck (ed.), & The Office of Charles and Ray Eames, A Computer Perspective , Cambridge: Harvard University Press. 1973.
Owen Gingerich, “A Conversation with Charles Eames ” in American Scholar, 46, n°3, (1977)
Barry Katz, « The Arts of War: Visual Presentation’ and National Intelligence », in Design Issues , vol. 12, n° 2, (été 1996). p. 3-21
Catherine Ince et Lotte Johnson, The World of Charles and Ray Eames , Londres, Barbican Arts Center, Thames & Hudson, 2015.
Pat Kirkham, Charles and Ray Eames, Designers of the Twentieth Century , Cambridge, Mass.: The MIT Press, 1995
Henri van Lier, Qu’est-ce-que le design ? Paris, CCI, 1969
Anne Lacoste, N. Boulouch, O. Lugon, C : Sandrin, Diapositive Histoire de la photographie projetée, Lausanne, Ed. Noir sur blanc, Musée de l’Elysée nº5.
Alexandra Midal, « Penser par les images: Subliminal Thinking », Studies in Visual Arts and Communication: An International Journal , (Peer Reviewed), Vol 4, N° 1 (2017) on-line ISSN 2393 - 1221
Alexandra Midal « Awareness Shows: Apprendre par les images subliminales », in P. Rousseau (ed.) Mind Control, Art et conditionnement psychologique, Paris, Université Paris I Panthéon Sorbonne, ed. de la Sorbonne, p. 97-108 Alexandra Midal, Eames & Hollywood , Bruxelles: Adam, CFC et Grand-Hornu Museum / (cat.), 2016
Marylin Neuhart, The Story of Eames Furniture, Berlin, Gestalten, 2010
Justus Nieland, Happiness by Design , Minneapolis: University of Minnesota Press, 2019.
Daniel Ostroff (dir.), An Eames Anthology , New Haven, Yale University Press, 2015
Jean-Christophe Royoux, «Le cerveau-Machine : les dispositifs d’images et le paradigme de l’ordinateur» in Olivier Lugon (ed.), Expositions et médias, L’âge d’homme, Lausanne, 2012, p. 340 – 341.
Paul Schrader, « Poetry of Ideas: The Films of Charles Eames » in Film Quarterly, vol. 23, nº3, printemps 1970, p. 2-19.
Eric Schuldenfrei, The Films of Charles and Ray Eames, Londres & New York, Routledge, 2015.
Riccardo Venturi, « “Artificiose Machine” ou la lecture sur les écrans », Avant l’image, des dispositifs pour voir, Paris, Les Carnets du Bal nº6, p. 201-221
Filmographie
Ray & Charles Eames , A Communication Primer (1953)
https://www.youtube.com/watch?v=byyQtGb3dvA&feature=emb_title
Ray & Charles Eames , View from the People Wall (1964)
https://www.youtube.com/watch?v=M6BA4baRcVo
Ray and Charles Eames (sélection de film)
Eamesoffice.com/catalog-category/films/
Ray & Charles Eames, The Films of Charles & Ray Eames , (Coffret 6 dvd), Pyramidmedia, 2012
Sur Ken Isaacs
Andrew Blauvelt, Hippie Modernism: The Struggle for Utopia, (cat. expo.) Minneapolis, Walker Art Center, 2015
Alastair Gordon, «Wall to Wall/ Futures Past/ Knowledge Box Reborn», The Wall Street Journal, Oct. 13, 2009, [en ligne]
Clay Gowan, «The Incredible Knowledge Box» Chicago, Chicago Daily Tribune, July 29, 1962
Victor Margolin, The Politics of the Artificial – Essays on Design & Design Studies, University of Chicago Press, 2002
Paul Welch, «The Knowledge Box», Life, vol 53, N°11, 14 Septembre 1962, p. 112 et sq.
Shelley Selim, Culture Breakers: The Living Structure of Ken Isaacs, Cranbrook Art Museum, Bloomfields Hills, 21 juin au 5 octobre 2014
Susan Snodgrass, Dans la matrice: le design radical de Ken Isaacs, Sombres Torrents, Août 2020
Par Ken Isaacs
Ken Isaacs, Culture Breakers, Alternatives & Other Numbers, MSS Educational Publishing Company, 1970
Ken Isaacs, How to Build Your Own Living Structures (New York: Harmony Books, Crown Publishing, 1974
Filmographie
Barbara Isaacs, The Knowledge Box, 1963. 16mm film (14:35 minutes) Courtesy of Barbara Isaacs
Sur A World Without Worlds de Jasper Morrison
Jasper Morrison, A World Without Worlds, Zürich, Lars Müller, 1992
Film: A World Without Worlds, 1988
Témoignage de Jasper Morrison sur https://jaspermorrison.com/publications/books/a-world-without-words
Filmographie générale
Dan Graham, Rock My Religion (1982-1984)
Bruno Latour, (avec Frédéric Ait-Touati), Conférence-spectacle Moving Earths, 2019
https://nanterre-amandiers.com/evenement/moving-earth-bruno-latour-frederique-ait-touati-2019/
Slavoj Žižek en collaboration avec Sophie Fiennes, The Pervert Guide to Cinema (2006)
Slavoj Žižek, The Pervert Guide to Ideology (2012)
Jarrett Fuller, A Rough Sketch for a Video Essay as Design Criticism, (2016)
https://vimeo.com/161943831
Divers
Francois Albera et Maria Tortajada, Ciné-dispositifs, Lausanne, L’Age d’homme, 2011
Charles R. Acland, Swift Viewing: The Popular Life of Subliminal Influence, Durham, NC et Londres, Duke University Press, 2012).
Paola Antonelli, Hugh Aldersey-Williams (eds.). Design and the Elastic Mind, New York: MoMA, 2008. http://www.moma.org/interactives/exhibitions/2008/elasticmind/
Zeynep Çelik Alexander, Kinaest hetic Knowing: Aesthetics, Epistemology, Modern Design , Chicago, Chicago University Press, 2017.
Ahmed Ansari, Luiza Prado de O. Martins, Pedro J. S. Vieira de Oliveira, Mahmoud Keshavarz, Ece Canli, Danah Abdulla, Matthew Kiem, Tristan Schultz, Decolonise Design Manifesto, 27 Juin 2016, et révisé en 2017 pour le Journal of Futures Studies 23(3).
DOI: 10.6531/JFS.201903_23(3).0012
Edward Bernays, Propagande. Comment manipuler l'opinion en démocratie, Paris, La Découverte, 2007.
Amy Beste et Corinne Granof (eds.), Up is Down, Block Museum of Art, Evanston, Northwestern University, 2018.
Jean-Marie Bolay, György Kepes, Du langage visuel à l’art environnemental, Genève, Metis Presses, 2018.
John R. Blakinger, György Kepes, Undreaming the Bauhaus, Cambridge, Mass., The MIT Press, 2019.
Gustave Le Bon, Psychologie des foules, (1895), Paris, Alcan,1909
Valerio Borgonuovo & Silvia Franceschini, Global Tools 1973–1975 , Rome, Nero, 2018.
Jean-Louis Cohen, Architecture in Uniform, Montreal, Montreal, CCA, 2011
Beatriz Colomina (ed.), Radical Pedagogies, Cambridge, The MIT Press, 2022.
Matthew W. Dunne, A Cold War State of Mind, University of Massachusetts Press, Amherst & Boston, 2013.
Anthony Dunne & Fiona Raby, Speculative Everything, Cambridge, Mass: The MIT Press, 2013.
Jon Elliston, Mind Control, Subliminal Persuasion (1998-1999), en ligne http://www.oocities.org/area51/shadowlands/6583/project196.html
Richard Gafford, « The Operational Potential of Subliminal Perception », Studies in Intelligence, 2, printemps 1958, en ligne : https://www.cia.gov/library/readingroom/docs/DOC_0000606555.pdf
Delphine Gleizes & Denis Reynaud, (eds.), Machines à voir, Lyon, Presses Université de Lyon, 2017
Hugo Gernsback, Forecast 1955 , 12. 1954, Publication à compte d’auteur. https://archive.org/details/Forecast1955
Dan Graham, Rock My Religion Writings and Projects 1965-1990, Cambridge, Mass,. The MIT Press, 1993
Marcia Holmes, Brainwashing the cybernetic spectator: The Ipcress File, 1960s cinematic spectacle and the sciences of mind, History of the Human Sciences 2017, Vol. 30(3) 3–24
Frederick A. Horowitz & Brenda Danilowitz, Josef Albers: To Open Eyes. The Bauhaus, Black Mountain and Yale, Londres, Phaidon 2006,
Aldous Huxley, Brave New World, Garden City, Doubleday, Doran & Company, 1932
György Kepes (ed.), The Nature and Art of Motion, George Braziller, New York, 1965
György Kepes (ed.), The Man-Made Object, George Braziller, New York, 1966
György Kepes (ed.), Sign, Image, Symbol, George Braziller, New York, 1966
György Kepes, Language of Vision, Chicago, Paul Theobald, 1944
György Kepes, The New Landscape in Art and Science, Paul Theobald, 1952,
György Kepes (ed.), Education of Vision, George Braziller, New York, 1965
Kubark, Paris, Le Manuel Secret de manipulation mentale de torture psychologique de la CIA, (1963), Paris, Zones, 2012.
Olivier Lugon, « L’exposition automatique: diaporama et électronique à l’expo 64 », Olivier Lugon et François Vallotton, Revisiter l’Expo 64, Lausanne, Presses polytechniques et Universitaires Romande, 2014, p. 366-383.
Marshall McLuhan, « Cybernetics and Human Culture » (1964) reproduced in Stéphanie McLuhan et David Staines, Understanding Me: Lectures and Interviews, Toronto, McClelland & Stewart Ltd., 2003.
Alexandra Midal, Antidesign, petite histoire de la capsule d’habitation en image, Paris, Epithème, 2004
Alexandra Midal, Design by Accident, Berlin & Londres, Sternberg, 2019
László Moholy-Nagy, Peinture Photographie Film (1925), Paris, Gallimard, 2014
Hugo Münsterberg, Le cinéma: une étude psychologique et autres essais (1916), Genève, Héros-Limite, 2010.
Lionel Naccache, Le Cinéma intérieur, Paris, Odile Jacob, 2020.
George Nelson, How to See : Visual Adventures in a World God Never Made, Boston & Toronto, Little Brown & Company, 1977.
Vanessa R. Schwartz et Jeannene M. Przyblyski, The Nineteenth-Century Visual Culture Reader, New York Routledge, 2004
Claude E. Shannon, « A Mathematical Theory of Communication », publié en deux parties in The Bell System Technical Journal, N°3 Vol. 27, July 1948, pp. 379–423 et N°4 vol. 28, October 1948, p. 623-656.
Tristan Schultz, Danah Abdullah, Ahmed Ansari, et al. « Editors’ Introduction », Design & Culture, Vol. 10:1, (2018):
1-6.Rene Spitz, Hfg Ulm: The View Behind the Foreground: The Political History of the Ulm School of Design. 1953-1968, ed. Axel Menges, 2002
Gloria Sutton, The Experience Machine, Cambridge, Mass., The MIT Press,, 2015
Fred Turner, The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties, Chicago: University of Chicago Press, 2013 .
J. R. Vokey, & S. W. Allen, (Eds.) Psychological Sketches (2007), 11e edition, Lethbridge, Alberta, Psyence Ink, 2013, p. 286-287– Norbert Wiener , La Cybernétique : Information et régulation dans le vivant et la machine, Seuil, 2014.
Gene Youngblood, Expanded Cinema, New York, E. P. Dutton & Co., Inc,. 1970